Latest post Sat, Feb 11 2017 10:31 PM by BarkinMadd. 2 replies.
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  • Sat, Feb 11 2017 9:36 AM

    color correction


    after studyng a while color correction on premiere i get used to use the method for it

    first thing i would adjust white black, shadow and highlight(and exposure) following the resul on the waveform oscilloscope. I learn that each one of those parameters affect mainly in an area of theoscillocope. Workinh this way i start to achieve some decent result

    Now i try to do the same on avid but there are differences

    Can t find black and white parametrs for instance. Also i don't like that the oscilloscope don't move in realtime while changing valuesùAny suggestion for these issues?


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  • Sat, Feb 11 2017 1:23 PM In reply to

    • Bruno M
    • Top 200 Contributor
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    • London, UK
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    Re: color correction

    There are many tutorials available on the web which will take you through the basics of colour correction in Media Composer, for example....

    As far as the issue of the Avid scopes is concerned... yes, they don't update in real time. To get real-time scopes, you'll need to get an external output from MC (via hardware such as Mojo DX or Blackmagic IO cards) and feed this to an external scope.

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  • Sat, Feb 11 2017 10:31 PM In reply to

    • BarkinMadd
    • Top 25 Contributor
    • Joined on Fri, Nov 4 2005
    • Ontario, Canada
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    Re: color correction

    Or.... If you have $1000 extra cash hanging around and want a very powerful color grading solution from within Media Composer you can get Baselight Editions from a company called FilmLight. It has realtime scopes and secondary color correction and is very well integrated into MC. 

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