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  • Avid DS Television Workflow

    There are several posts here and elsewhere from people trying to push AAFs and Avid media through color systems and back. Some have it working, many do not; the potential pitfalls, headaches and drawbacks of it are well documented. Since 2009, we have been using a different method that I think is simple... (read more)
    Posted to Avid DS (Forum) by AvidHDcutter on Fri, Aug 26 2011
  • DPX to MXF wrong color - Blue and Red Channels Inverted---Need Help

    Hi! I received files shot on a Phantom camera. They where converted in DPX format from a client. I'm using Avid MetaFuze to convert the media in MXF to edit in MC5.5. The RED and BLUE color channels are inverted. Can you help me? Thanks in advance P.S. Is the solution in MC5? Should I post this question... (read more)
    Posted to MetaFuze Forum (Forum) by birck on Thu, Jun 9 2011
  • Conforming Red 3k50 project troubles

    3k50 Red footage was converted to 720P50 with Redcine and edited with MC5. I exported AFE and conformed with DS. It links to the original Red footage - but... Footage plays at half speed, it is wrongly flagged as 25fps in DS explorer, even so metadata shows 50fps. All timecodes are off. What is the solution... (read more)
    Posted to Avid DS (Forum) by GeorgeD on Tue, Dec 14 2010
  • Red Line

    Hi all, I have recently started having problems with my Avid Xpress Pro HD...there seems to always be a red line in the time code area below the timeline. Playblack is really slow, very minimal framerate. Sound plays fine. My internet video streaming also has slow/reduced framerate playback...? This... (read more)
    Posted to Avid Xpress Pro - PC (Forum) by Neatboy on Wed, Apr 21 2010
  • Re: How to upgrade Red files?

    Hello again Henry! I spent some time today trying some things out... one thing i've noticed is that the cashes i made in v10.2 are reacting as i thought they would, but when i went to make new links of some of the same media in 10.3 i get the same resualts as you have... the media is off-set to the... (read more)
    Posted to Avid DS (Forum) by dermot on Wed, Apr 7 2010
  • Re: Dotted timeline ribbon in Avid DS 10.3

    The dotted lines indicate the space between your in & out points Yes it would sem that if your cashes are not found by 10.3 then re-rendering is the answer, what version did you upgrade from? (read more)
    Posted to Avid DS (Forum) by dermot on Tue, Apr 6 2010
  • Re: RED files rendered in timeline - loosing render caches?

    This is expected in film size sequences with captured media. If you're working in HD or smaller size, including real time proxy, color correction preset should not unrender the clips. (read more)
    Posted to Avid DS (Forum) by Igor Ridanovic on Thu, Mar 4 2010
  • Help me Obi Wan Kenobi....I want MetaFuze to do 1080p30 and 1080i!

    I realize there are people who just love love love 24P. Being part of a broadcast sports network like FOX Sports where everything is 720p 59.94 we definitely do not love 24p. We have had so many issues shooting with 24 fps we only like to shoot at 30 fps now. I cannot express how frustrating it is to... (read more)
    Posted to MetaFuze Forum (Forum) by ckennel on Thu, Mar 4 2010
  • DS 10.2 R3d file import

    Sorry if this post has already been made, could'nt find it though. I don't really see any difference on import whether selecting redlog, linear or any of the other luts in the Storage LUT settings. I would have expected this to behave kind of like red cine, red alert (or whatever it is called... (read more)
    Posted to Avid DS (Forum) by jan degn on Fri, Jan 15 2010
  • Re: Final step with Red footage

    Once the Digital Intermediate is completed in case the project is bound for theatrical distribution the files can be either shot to film or mastered to a digital cinema package. All of these steps can be technically complex. The steps would look something like this: RED post, picture steps only: 1. Dailies... (read more)
    Posted to MetaFuze Forum (Forum) by Igor Ridanovic on Mon, Sep 28 2009
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