Duration and horizontal lines preserved when going from 29.97 to 23.976 frames per second by playing back the video cadences of 2:3, 2:3:3:2, or 2:2:2:4 as 2:2:2:2. A slight crackle from a fire. Look and feel the water before diving in might have some value. Deep into the forest, rays of light, slight... (read more)

For an AAF from Avid imported into Resolve creating a timeline, the Edit Index "Reel Name" seems to be Avid Master Clip "Source Icon" name metadata. (This is default Resolve behavior if turning on Reel Names. And one can view this everytime if in Resolve there was no media present... (read more)

http://www.avidblogs.com/how-to-roundtrip-davinci-resolve-to-avid-media-composer-tutorial/ For Avid Media Composer users, in this tutorial step 25 alone is super important where it can make the difference between the relink command working for a sequence selected to master clips or not working. Step... (read more)

I wrote a step-by-step: preparing the embedded metadata of an Avid Media Composer video mixdown mxf media file for a DaVinci Resolve conform. http://library.creativecow.net/freeman_scott/Avid-Video-Mixdowns_DaVinci-Resolve/1 (read more)

I wrote a step-by-step tutorial for Avid to Resolve to Avid MXF workflow http://library.creativecow.net/freeman_scott/AVID-Framerate-Metadata/1 (read more)

At a recent Editors' Lounge Editor and Avid specialist Scott Freeman dives deep into proper workflow techniques for "round-tripping" Avid projects through Da Vinci Resolve, including file name management, EDLs and much much more . http://editorslounge.com/2013.09-avid-resolve/sep2013-freeman... (read more)

In this Avid Media Composer video tutorial, you'll learn to use Source Side reformatting to adjust the aspect ratio of clips in your Media Composer sequence. The technique allows you to convert part or all of a sequence from one frame size to another, but doesn't allow you to select the extracted... (read more)

In this video tutorial, you'll learn to use Record Side reformatting to adjust the aspect ratio of clips in your Media Composer sequence. The technique allows you to convert part or all of a sequence from one frame size to another. In part 2, you'll learn source-side reformatting and in part... (read more)

Boris Continuum Complete AVX for Avid DS brings nearly 200 filters to Avid DS Version 10.2.1 and higher. BCC AVX is bundled with all Avid Media Composer and Symphony systems. With a BCC AVX for DS license, you are able to conform sequences with AVX 2.0-based BCC effects for finishing in Avid DS. (read more)

I recently completed a large film project and learned quite a bit about the DI process, scanning, keeping track of negatives, etc. I created a blog that reviews all these concepts. www.filmeditingtips.blogspot.com Hope you can get some useful information from it. (read more)