[quote user="Kevin Klimek"] Sorry...I had a brain fart and was thinking about something else. You are correct that you can't change the TC in the marker window either. Sorry for the confusion. [/quote] No worries, man. Good to know!

[quote user="N Ryan"] What version MC do you have? I'm on v 8.6.3 and I can't edit the Marker Timecode, either, so I expect it's a feature on a later version than we each have. [/quote] Thanks for the response. I'm on 2018.3, so it's pretty up to date. Unfortunately, I still can't grab the markers, because they're

[quote user="Kevin Klimek"] You can't zoom into the bar under the record monitor, no. But you can use the Markers tool to simply edit the TC where the marker is displayed, so you don't have to delete and re-create them. [/quote] I can't change the marker timecode.

Hmmm... interesting. Didn't know you could adjust the marker timecode. I thought I tried that, but will give it another go. Thanks.

Hey, Guys. I have a question about sliding markers/locators. If you have a few of them on a timeline, they are spaced out enough in the record window that you can alt drag them. But, if you have a long timeline littered with them, you can't get at them in the record window to drag them. This used to be a problem with me for keyframes, until I discovered

[quote user="camoscato"] The clip has to be playing for in/out to work. Try that. [/quote] Thanks. That is the solution. Someone mentioned I try this 'edit from bin' feature, but I don't find it useful.

This still doesn't work as it should in 2018, so I think it's an unaddressed bug.

Hi, guys. I have a challnege at work... haven't done this in ages and need help. I have to have one line of text in one color and a second line of text in another color and I have to move them around together. I don't have time to get into Marquee or After Effects or anything like that and need to use the title tool. I've always found the

[quote user="Job ter Burg"] This might be useful: http://24p.com/wordpress/?p=247 [/quote] Thanks, Job. Unfortunately, I had to abandon this approach, because I was getting this message when attempting to merge the camera ale (footage shot at 3200x1800, I believe) with the HD transcodes in the Avid bin: " Cannot import this shot log because

Thanks, Martin. Luckily, you can fill out the Avid tape column in Resolve. I got through the job without having to result to alternate transcodes, but I will experiment with swapping out when I get a chance.