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  • After Effects CC 2017 Avid DNxHR/DNxHD Codec Problem

    Does anybody have a workaround for the DNxHR/DNxHD codec subsitution in Adobe After Effects 2017? Not only did they severely limit the options in the new substituted codec they also removed the ability to select 709/RGB and the ability to have Trillions of colors (now limited to Millions of colors)....
    Posted to Avid Media Composer - PC (Forum) by rolinhard316 on Sat, Feb 25 2017
  • AVID DNxHD SDK how to obtain

    Hi I'm interested in obtaining DNxHD SDk in order to integrate DNxHD comppression. How can I obtain the SDK ? Should be signed an NDA ? Regards
    Posted to Avid DNxHD Forum (Forum) by Francesco on Wed, Feb 15 2017
  • Remake timeline DNxHD 36 into 185

    HELLO In the beginning of editing a documentary with a lot of material . Origin ally the format of the clips are H.264, and waned to transcode them in to DNxHD because it is easy for Avid . In the final version , I want DNxHD 185 MXF , high resolution, but I'd like to edit in DNxHD 36 MXF since it's...
    Posted to Avid Media Composer - Mac (Forum) by SaraFilm on Wed, Jan 13 2016
  • Media Composer 8: HD Import Quality...

    Hello Forum, AVID intermediate user who just upgraded from the late Xpress Pro to Media Composer 8. Question regarding import quality. Is there a virtually lossess import setting that will keep the image quality up but the space down. Have tried to look the differences between all the options. DNxHD...
    Posted to Avid DNxHD Forum (Forum) by SoncoChairman on Wed, Nov 11 2015
  • D.I.T. workflow arri & red

    Hi everybody. I've just look 'round by the forums here but i've some difficult finding what I need. As D.I.T. sometimes productions asking me to give an mxf transcode of the footage to the post house, and I just wanna be sure to send the material the perfect way. I'll send an hard drive...
    Posted to Avid Media Composer - Mac (Forum) by reflex980 on Sun, Jan 5 2014
  • Flujo de trabajo con Avid media composer 5.5 y Camara Alexa

    Hola, mi pregunta es la siguiente, cual seria el mejor flujo de trabajo para la post producion de una pelicula o largo metraje, utilizando una camara Alexa y Avid media composer 5.5 con una ISIS para el compartir material y dos islas de edicion con avid. Es decir formato o codec adecuado para que la...
    Posted to Foro en EspaƱol (Forum) by dmaster23 on Thu, Sep 19 2013
  • Re: DCP file format

    You might look into our FinalDCP FREE Edition. Its very streamlined to create a DCP from AVID (or any other editor) fast and reliable. Just export a DNxHD mov file (use the best settings for quality reasons), preferably including audio if you have it already. Then drag and drop it onto FinalDCP reel...
    Posted to Avid Media Composer - Mac (Forum) by Axel Mertes on Wed, May 29 2013
  • Re: Anyone Got Experience of Buying Stock Footage?

    Hi! I work at a footage marketplace called - we have about 365.000 clips online, mostly in HD. We offer the DNxHD codec as a download option. Prices start at $12 for HD and we have 20.000 clips at that price level. We hope you find it useful! To check us out - visit our artists' stock...
    Posted to Film and 24p (Forum) by Clipcanvas on Tue, Sep 18 2012
  • P2 AMA editing

    Hello! I was wondering if any one in here had any experience editing with AMA P2 materiale. It's a feature long documentary with about 100 hours of material. Can I do this? Or should I transcode everything to DNxHD? Right now the easiest thing is to just edit in the P2 material as it is, but what...
    Posted to Avid Media Composer - Mac (Forum) by tzidore on Thu, Jun 28 2012
  • Arri Alexa, best export/import from Avid into Davinci Resolve?

    Hi, I have been searching the hole wide web for an answer to my qusetion, but with very mixed info. And I am very much new to this forum-thing, so I apologize beforehand if I post this in the wrong place or something like that :) We are about to color correct a drama series, it was shot with Arri Alexa...
    Posted to General Discussion & Off-Topic (Forum) by Anja Ullberg on Tue, Mar 13 2012
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