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  • Studio Daily Interviews the Associate Editor of Extremely Loud and Incredibly Close, David Smith

        In advance of the release of Extremely Loud and Incredibly Close , Studio Daily’s Bryant Frazer had the opportunity to speak with the film’s associate editor, David Smith. Facing one of the “most fraught subjects that can be tackled by a filmmaker—the September 11 attacks on the World Trade...
    Posted to Buzz (Weblog) by EmployeeGone on Thu, Dec 22 2011
  • Avid demonstrates support for RED camera at LA event

    Here's a quick review from Igor Ridanovic , co-founder of the LA-based RED User Group, who attended one of the Avid+RED sessions in LA this week. Learn more about the existing RED workflow and what's new - from Media Composer to Avid DS. "The Media Composer's unmatched ability to track all kinds of metadata...
    Posted to Buzz (Weblog) by Taryn Unruh on Thu, Nov 6 2008
  • Online Exclusive: Editors Guild Magazine features Avid DS 10

    Latest Editors Guild Magazine feature names Avid DS 10 "one of the first tangible expressions of Avid's hyped 'new thinking' philosophy." The article covers Avid DS 10 news, including commentary from DS user Marc Fisher. Here's an excerpt from the piece (" DS10: Avid's New High-Performance Platform ...
    Posted to Buzz (Weblog) by Taryn Unruh on Fri, Oct 10 2008
  • Emmy 2008 Award Season - Did you know...

    The majority of post-production teams behind this year's Emmy nominated shows are using Avid solutions. Here's a quick rundown - All of the nominees in the 'Outstanding Picture Editing' (reality programming) category used Avid-based workflows: - The Amazing Race - Extreme Makeover: Home Edition - Project...
    Posted to Buzz (Weblog) by Taryn Unruh on Thu, Sep 18 2008
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